Falling In Reverse - UK/ EU Arena Tour 2024

I was brought on by Adlib for Falling In Reverse’s 2024 European arena run — a fast-paced, high-energy tour with a big look and a heated atmosphere. My main role was leading the lighting department on the road: managing the daily builds, overseeing system checks, and working closely with local crews to make sure each show went up smoothly and safely.

While my focus was on lighting, I also helped coordinate the integration of the video package and pyrotechnics as everything was very close together. Preserving equipment and overall safety were key factors to executing this show every night. Touring with this crew was a real highlight, we had a solid team, good energy, and everyone trying to achieve the bigger picture.

Fred Again.. - Festival and Arena Tour 2023/2024

I worked as Dimmer/ Systems Technician on Fred again.. on behalf of Colour Sound Experiment throughout a series of arena and festival shows across the world. My role focused on managing the power and data infrastructure for a tight, high-performance lighting rig — ensuring everything ran reliably day after day, with no room for error.

It was a technically demanding tour with specific needs for each venue. I was part of a large lighting team responsible for all things power and systems related. This included maintaining and troubleshooting the creative teams specific network needs across lighting and video. 

All in all, we had a fantastic team dynamic and it was a very fulfilling show to be part of!

Noah Kahan - EU Festivals 2025

Working with the Noah Kahan team twice before, I knew exactly what the needs and expectations were for this camp. However, working for these guys for a third time, really drove home the importance of a good team and good people.

I joined Noah Kahan’s team for the 2025 European festival circuit, working as Dimmer and Systems Technician, with key responsibilities at Front of House. My role covered power and data distribution, maintaining a robust lighting system across a variety of festival stages and local setups. As part of the FOH team, I worked very closely with the talented lighting team to help facilitate the complex design and vast number of creative elements of the show.

Each day brought new challenges — adapting to different rigs and tight festival schedules — but the crew worked smoothly as a unit. I took pride in keeping things clean, consistent, and show-ready under pressure. A solid run with an equally solid team.