The Wombats - UK Arena/ Academy Run 2025

I worked as Production Manager on The Wombats’ 2025 UK Arena and Academy run, being employed by the Tour Manager Simon Fuller, a dynamic tour balancing large-scale arena production with the tighter logistics of academy venues. My role covered the full scope of advancing and day-to-day production management: coordinating departments, overseeing schedules and ensuring each show was delivered safely, efficiently, and on time.

With multiple venue formats across the run, careful planning and adaptability were essential. I acted as the central link between lighting, audio, video, staging, and venue teams, making sure all departments integrated smoothly despite varying constraints. Maintaining clear communication, protecting equipment, and keeping the show consistent night to night were key priorities throughout the tour.

It was a fantastic working with these guys again and made even the harder moments of this tour a good laugh. 

The Kooks - UK Arena Run 2025

I worked on The Kooks’ 2025 UK Arena run as Crew Chief and overall Adlib representative for Lighting and Video, on a production supplied by Adlib and designed by Mirrad. This show had some challenging elements which were overcome with a strong team of lighting and video technicians. This team was propped up by a phenomenal production team with Rik Foreman as Rigger/ SM, Will Matthews as PM and Carl Lewis as TM. These guys made everyone feel welcome and part of the team despite some hard and long days! 

Can't wait to work with all of these guys again!

Marti Pellow - UK Arena Tour 2025

Lumen Productions supplied Lighting and Video for Marti Pellow's UK Arena Tour  which was a jam packed rig, providing a sleek look and tasteful visuals for this classic artist. I was contracted for the role of Dimmer/ Systems Technician. I built and maintained the lighting infrastructure from stage all the way to FOH. 

The tour was delivered to a high production standard, with a professional and experienced team both on the road and locally. It was a solid, well-run run, and a great experience working alongside Lumen Productions on a decent sized arena production. 

Noah Kahan - EU Festivals 2025

Working with the Noah Kahan team twice before, I knew exactly what the needs and expectations were for this camp. However, working for these guys for a third time, really drove home the importance of a good team and good people.

I joined Noah Kahan’s team for the 2025 European festival circuit, working as Dimmer and Systems Technician, with key responsibilities at Front of House. My role covered power and data distribution, maintaining a robust lighting system across a variety of festival stages and local setups. As part of the FOH team, I worked very closely with the talented lighting team to help facilitate the complex design and vast number of creative elements of the show.

Each day brought new challenges — adapting to different rigs and tight festival schedules — but the crew worked smoothly as a unit. I took pride in keeping things clean, consistent, and show-ready under pressure. A solid run with an equally solid team.

Falling In Reverse - UK/ EU Arena Tour 2024

I was brought on by Adlib for Falling In Reverse’s 2024 European arena run, a fast-paced, high-energy tour with a big look and a heated atmosphere. My main role was leading the lighting department on the road: managing the daily builds, overseeing system checks, and working closely with local crews to make sure each show went up smoothly and safely.

While my focus was on lighting, I also helped coordinate the integration of the video package and pyrotechnics as everything was very close together. Preserving equipment and overall safety were key factors to executing this show every night. Touring with this crew was a real highlight, we had a solid team, good energy, and everyone trying to achieve the bigger picture.

Fred Again.. - Festival and Arena Tour 2023/2024

I worked as Dimmer/ Systems Technician on Fred again.. on behalf of Colour Sound Experiment throughout a series of arena and festival shows across the world. My role focused on managing the power and data infrastructure for a tight, high-performance lighting rig — ensuring everything ran reliably day after day, with no room for error.

It was a technically demanding tour with specific needs for each venue. I was part of a large lighting team responsible for all things power and systems related. This included maintaining and troubleshooting the creative teams specific network needs across lighting and video. 

All in all, we had a fantastic team dynamic and it was a very fulfilling show to be part of!